The Cambridge Companion to Women in Music since 1900 Cambridge Companions to Music 1st Edition by Laura Hamer 9781108637510 1108637515
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ISBN 10: 1108637515
ISBN 13: 9781108637510
Author: Laura Hamer
This Companion explores women’s work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of ‘gender appropriate’ roles or instruments. It covers a wide range of women musicians, such as Marin Alsop, Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist Musicology, Women in Music, and Music and Gender.
The Cambridge Companion to Women in Music since 1900 Cambridge Companions to Music 1st Table of contents:
Part I The Classical Tradition
1 Women in Composition before the Second World War
2 Women in Composition during the Cold War in Music
3 Behind the Iron Curtain: Female Composers in the Soviet Bloc
4 Still Exceptional? Women in Composition Approaching the Twenty-First Century
5 On the Podium: Women Conductors
6 Soloists and Divas: Evolving Opportunities, Identity, and Reception
In Her Own Words: Practitioner Contribution 1
Part II Women in Popular Music
7 Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians
8 Leaders of the Pack: Girl Groups of the 1960s
9 Women and Rock
10 ‘(You Make Me Feel Like) A Natural Woman’: Women in Songwriting
11 The British Folk Revival: Mythology and the ‘Non-Figuring’ and ‘Figuring’ Woman
12 How MTV Idols Got Us in Formation: Solo Women and Their Brands Make Space for Truth Telling, Trau
In Her Own Words: Practitioner Contribution 2
Part III Women and Music Technology
13 Case Studies of Women in Electronic Music: The Early Pioneers
14 The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics
In Her Own Words: Practitioner Contribution 3
Part IV Women’s Wider Work in Music
15 Women and Music Education in Schools: Pedagogues, Curricula, and Role Models
16 Women in the Music Industries: The Art of Juggling
In Her Own Words: Practitioner Contribution 4: From Polymath to Portfolio Career – Reclaiming ‘R
Afterword: Challenges and Opportunities: Ways Forward for Women Working in Music
Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-C
Select Bibliography
Index
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