Flamenco Music History Forms Culture 1st Edition by Peter Manuel ISBN 9780252045332 0252045335

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Product details:

ISBN 10: 0252045335
ISBN 13: 9780252045332
Author: Peter Manuel

Flamenco Music History Forms Culture 1st Edition Table of contents:

Part I. History

1 Pre-Flamenco Music

Reconstructing Flamenco Prehistory: Challenges and Conundrums

Flamenco Prehistory: The Moorish Legacy

Moorish Music and Gitanos

The Roots of Flamenco in Christian Spain to 1800

Pre-Flamenco Musics in the Seventeenth to Eighteenth Centuries

The African and Afro-Latin Input in Pre-Flamenco Music

The Guitar

The Fandango

Majos, Casticismo, Gitanos, and Music in the Late 1700s

Approaching the Nineteenth Century

The Eve of Flamenco, 1800 to 1860

Guitar Music

Cantes in Evolution

2 The Café Cantante Period: 1860–1920s

The Yin and the Yang: Antonio Chacón and Manuel Torre

The Evolution of Cantes

The Guitar in Early Flamenco

Gitanos and Non-Gitanos in the Creation of Flamenco: The Endless Polemic

Gitanos as Creators or “Mere Interpreters”?

The Hermetic Theory, “Cante Gitano,” and Romanticism

3 From Stagnation to Revival

The 1920s–1940s: Flamenco in a Holding Pattern

The Concurso de Cante Jondo of 1922

The 1920s–1940s: The Ópera Flamenca Decades

Musical Developments: The Fandango

The 1950s–1960s: Revival and Mairenista Orthodoxy

Mairena and Mairenismo

Musical Developments: Neo-Classical Consolidation

The “Revolutionary” 1970s

Nuevo Flamenco

Paco de Lucía and Camarón de la Isla

Other Artists and Developments

Part II. Structure and Forms in Flamenco

4 Structure

Cante

Estilos

Vocal Technique

Rhythm and Compás

Modality and Tonality

Harmony

Harmony as Structural or Merely Decorative?

Chords and Progressions

Form

Flamenco Guitar

Technique

Falsetas

Accompanying Cante

Accompanying Dance

Guitar Solos

Palmas and Jaleo

Other Instruments: Cajón, Piano—and the Dancer

Flamenco Musicians, “Theory,” and Audience Connoisseurship

5 The Flamenco Repertoire: Description and Analysis

Soleares

Bulerías

Bulerías por Soleá

Alegrías and Cantiñas

Caña and Polo

Siguiriyas

Unaccompanied Cantes

Tangos

Tientos

Tanguillo and Other Tango Variants

Fandango Forms

Fandangos Locales

The Fandango Natural (Fandango Libre, Fandango Grande)

Malagueñas

Related Forms: Verdiales and Rondeñas

Granaínas and the “Zambra”

Cantes Mineros—Cantes of the Levant

Peteneras

Guajiras

Rumba

Vidalita, Milonga, and Colombianas

6 Flamenco Lyrics

Letras as Lyric Poetry

Sociopolitical Themes

Oral Transmission and Lettered Poets

Part III. Flamenco Culture

7 The Contemporary Scene

Performance Contexts

Tourism

Learning Flamenco

Recordings

The Internet

Flamenco as a Global Phenomenon

8 Perspectives on Flamenco Culture

The Geography of Flamenco

Purity versus Innovation: The Primordial and Perennial Debate

Romanticism, Authenticity, and Biographical Credentials

Women in Flamenco

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Tags: Peter Manuel, Flamenco Music, History Forms Culture