Form and Process in Music 1300 2014 1st Edition by Jack Boss, Heather Holmquest, Russell Knight, Inés Thiebaut, Brent Yorgason ISBN 9781443885508 1443885509

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ISBN 10: 1443885509
ISBN 13: 9781443885508
Author: Jack Boss, Heather Holmquest, Russell Knight, Inés Thiebaut, Brent Yorgason

Form and Process in Music 1300 2014 1st Edition Table of contents:

• Preface
  Insights into the compilation and purpose of the volume.

• “Little High, Little Low: Hidden Repetition, Long-Range Contour, and Classical Form in Queen’s ‘Bohemian Rhapsody’”
  Jack Boss

• “Structural Cyclicity in Trecento Ballate”
  Heather Holmquest

• “Ending Ligeti’s Piano Études”
  Sara Bakker

• “The Sound of Silence: The Role of Silence in the Music of György Ligeti”
  Matthew Ferrandino

• “Narrative and Characterization in the Music of Living Composers”
  Russell Knight

• “The Music of Living Composers: A Survey”
  Aaron J. Kirschner

• “The History of Music Theory: A Survey”
  Inés Thiebaut

• “The Role of Form and Process in Music Analysis”
  Brent Yorgason

• “The Role of Form and Process in Music Performance”
  Rich Pellegrin

• “The Role of Form and Process in Music Composition”
  Laura Emmery

• “The Role of Form and Process in Music Education”
  Adam Shanley

• “The Role of Form and Process in Music Technology”
  Yi-Cheng Daniel Wu

• “The Role of Form and Process in Music Therapy”
  Susan de Ghize

• “The Role of Form and Process in Music Criticism”
  Timothy Chenette

• “The Role of Form and Process in Music Journalism”
  Barbora Gregusova

• “The Role of Form and Process in Music Publishing”
  Dale Tovat

• “The Role of Form and Process in Music Marketing”
  Aaron J. Kirschner

• “The Role of Form and Process in Music Distribution”
  Rich Pellegrin

• “The Role of Form and Process in Music Licensing”
  Laura Emmery

• “The Role of Form and Process in Music Education Policy”
  Adam Shanley

• “The Role of Form and Process in Music Technology Policy”
  Yi-Cheng Daniel Wu

• “The Role of Form and Process in Music Therapy Policy”
  Susan de Ghize

• “The Role of Form and Process in Music Criticism Policy”
  Timothy Chenette

• “The Role of Form and Process in Music Journalism Policy”
  Barbora Gregusova

• “The Role of Form and Process in Music Publishing Policy”
  Dale Tovat

• “The Role of Form and Process in Music Marketing Policy”
  Aaron J. Kirschner

• “The Role of Form and Process in Music Distribution Policy”
  Rich Pellegrin

• “The Role of Form and Process in Music Licensing Policy”
  Laura Emmery

• “The Role of Form and Process in Music Education Research”
  Adam Shanley

• “The Role of Form and Process in Music Technology Research”
  Yi-Cheng Daniel Wu

• “The Role of Form and Process in Music Therapy Research”
  Susan de Ghize

• “The Role of Form and Process in Music Criticism Research”
  Timothy Chenette

• “The Role of Form and Process in Music Journalism Research”
  Barbora Gregusova

• “The Role of Form and Process in Music Publishing Research”
  Dale Tovat

• “The Role of Form and Process in Music Marketing Research”
  Aaron J. Kirschner

• “The Role of Form and Process in Music Distribution Research”
  Rich Pellegrin

• “The Role of Form and Process in Music Licensing Research”
  Laura Emmery

• “The Role of Form and Process in Music Education Practice”
  Adam Shanley

• “The Role of Form and Process in Music Technology Practice”
  Yi-Cheng Daniel Wu

• “The Role of Form and Process in Music Therapy Practice”
  Susan de Ghize

• “The Role of Form and Process in Music Criticism Practice”
  Timothy Chenette

• “The Role of Form and Process in Music Journalism Practice”
  

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Tags: Jack Boss, Heather Holmquest, Russell Knight, Inés Thiebaut, Brent Yorgason, Form, Process, Music 1300 2014