Forms of the Cinematic Architecture Science and the Arts 1st Edition by Mark Breeze 1501361422 9781501361425

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ISBN 10: 1501361422

ISBN 13: 9781501361425

Author: Mark E. Breeze

This interdisciplinary collection explores how cinema calls into question its own frame of reference and, at the same time, how its form becomes the matter of its thought. Building on the axiom (cherished by philosophers of cinema from Epstein to Deleuze) that cinema is a medium that thinks in conjunction with its spectators, this book examines how various forms of the cinematic rethink and redraw the terrain of traditional disciplines, thereby enabling different modes of thought and practice. Areas under consideration by a range of leading academics and practitioners include architecture, science, writing in a visual field, event-theory and historiography.

Forms of the Cinematic Architecture Science and the Arts 1st Table of contents:

Part One Rethinking: from Idea to Structure

1 Idea and image

2 The screen as barrier and support: Monitoring, projection and perfectionism in Brad Bird’s Tomorrowland: A World Beyond (2015)

3 Surface thoughts: On the look of cinema

4 The film event: From Bazin to Deleuze

Part Two Revisualizing: from the Tangible to the Intangible

5 What film studies is: Mapping the discipline

6 A cinematic aided design approach and the need for (in)-disciplinarity

7 Microcinematography and biomedical science

8 Cinematic forms and cultural heritage

Part Three Reconstructing: from Writing to Architecture

9 The modulation of emphasis: Screenwriting as a literary art

10 Mapping Andrei Tarkovsky’s Stalker: An architectural exploration of the ‘Zone’

11 Architecture Beyond Sight: Filming blindness

12 Towards an architecture of the cinematic

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Mark Breeze,Cinematic,Architecture,Science