Global Perspectives on Digital Literature A Critical Introduction for the Twenty First Century 1st Edition by Torsa Ghosal – Ebook PDF Instant Download/Delivery: 1032103493, 9781032103495
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ISBN 10: 1032103493
ISBN 13: 9781032103495
Author: Torsa Ghosal
Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands “global” as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East and South Asia, parts of Europe, Latin America, North America, Australia, and Western Africa. The book’s contributors adopt an array of interpretive approaches to make visible new connections and possibilities engendered by cross-cultural encounters. Among other topics, they reflect on the shifting conditions for production and distribution of literature, participatory cultures and technological affordances of Web 2.0, the ever-changing dynamics of global and local forces, and fundamental questions, such as, “What do we mean when we talk about literature today?” and “What is the future of literature?”
Global Perspectives on Digital Literature A Critical Introduction for the Twenty First Century 1st Table of contents:
Part I Reimagining Digital Literary Studies
1 Textual Instability: Paradoxes of Literary Remix
‘Remix My Lit’/Through the Clock’s Workings
In Territorio Nemico
Lost in Track Changes
Fanfic/Print/eLit Interplay
Conclusion
Notes
Bibliography
2 Diverse Mappings of Electronic Literature: Expanding the Canon(s)
Existing Methods of Classification and Their Limitations
Genre-Based
Generation- Based Classifications
Platform-Based Classifications
Digital Modernism vs Digital Postmodernism
Alternatives: Epistemological vs Ontological; Multimodal vs Transmodal; Substitutive vs Associative
Immersive vs Emersive Dominants
Conclusions
Notes
Bibliography
3 Ludonarrative Postcolonialism: Re-Playing the Colonial Discourse
Colonialism in Digital Games
Boardgames and Colonialism
Procedural Rhetoric or Allegorithm: Coded Colonialism
The Postcolonial Ludic: 80 Days
Premchand’s Colonial Gambit: Playing Shatranj ki Khiladi
Conclusion: Playing Beyond Colonial Logic and Over(writing) Code
Bibliography
Part II Digital Embodiments and Disabilities
4 Games as Critical Literature: Playing with Transhumanism, Embodied Cognition, and Narrative Difference in SOMA
Dreams/Nightmares of Posthumanism
Narrative Difference and Cyborg Bodies
Transhuman Refuse
Note
Bibliography
5 The Horror of Networked Existence: Affect, Connection, and Anxiety in Classic Creepypasta Narratives
The Emergence of Creepypasta
Identity Anxiety in the Networked Age
Haunted Objects
Haunted Memories
Haunted Systems
Conclusion
Bibliography
6 Networked Chronic Pain Narratives: Locating Disability through Fibromyalgia Facebook Community
Narrating Selves
Locating Disease and Illness Narratives
Facebook and Digital Pain Narratives
Conclusion
Notes
Bibliography
Part III Forms of Resistance
7 The Erasing Impulse: Veiling and Unveiling the Poetic and the Political
Introduction
The Erasing Impulse
Constellations of Practices: Documenting, Classifying, and Visualizing
Veiling and Unveiling: Voices That Erase to Resist and to Affirm
Conclusion
Bibliography
8 Digital Cartoons: Collaborative Activism in Hong Kong
Digital Cartoons in Hong Kong
An Undercapitalized Cultural Production
Digital Cartoons in the 2010s
“The League of the Medicated” and “The Chaos of the Yellow Gloves”
Connectivity, Interactivity, and Collectivity
Collaborative Activism through Cartoon/comic Production
Conclusion
Notes
Bibliography
9 Between Two Screens: The January 25th Revolution in Egypt
The Background
Computational and Cinematic Poetics Against State-Run Media
Hypertexting as Preserving the Collective Conscience
Media Constraints and Social-Political Constraints
Conclusion
Notes
Bibliography
10 “If this document is authentic”: On Bill Bly’s Archival Fiction
Digital Literature’s Archival Turn
Archival Form of We Descend
The Problem of Authentication
Conclusion
Notes
Bibliography
Part IV Medial and Cultural Crossings
11 From Oral to Digital and Back: Adinkra Symbols and Kweku Ananse on YouTube
Adinkra: A History and Evolution
The Socio-Politics of Adinkra and African “Writing”
Sankofa and Ananse Ntontan as Frames
Analysis
Conclusion
Notes
Bibliography
12 Bending Voices, Opening Ears: Voice, Music, Sound, and Affect in Digital Literature
Singing
Speaking Musically or in a Musical Context; Speaking in Non-Musical Contexts
Speaking and Artificial Intelligence
Conclusion
Notes
Bibliography
13 Intermedial Experience and Discursive Voice in Printed Text, Audiobook, and Podcast: H. P. Lovecraft’s “The Statement of Randolph Carter”
Methods and Material
Medial Environments and Audiences
Voices Experiencing and Telling
Sensory Images and Medial Tiers
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