Situating Global Art Topologies Temporalities Trajectories 1st Edition Sarah Dornhof – Ebook Instant Download/Delivery ISBN(s): 9783839433973, 3839433975
Product details:
- ISBN 10: 3839433975
- ISBN 13: 9783839433973
- Author: Sarah Dornhof
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
Table contents:
Situating Global Art. An Introduction
Spectres of 1989: One some Misconceptions of the ‘Globality’ in and of Contemporary Art
The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary
The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事”
“A Collage of Globalization” in Documenta11’s Exhibition Catalogue
Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects
Gulf Labor: The Boycott as Political Activism and Institutional Critique
You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale
Generation 00: The Artist as Citizen
How Far How Near: A Global Assemblage in the Modern Art Museum
Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating
Curating as Transcultural Practice. documenta 12 and the “Migration of Form”
Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization
The Art of Globalization/The Globalization of Art: Creating Trans-national, Interethnic, Cross-Gender and Interspecies Identities in the 3D Work of Miao Xiaochun
Transculturally Entangled – Qiu Zhijie’s Concept of Total Art
Globalization as an Artistic Strategy: The Case of Takashi Murakami
The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating
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