Studies in Aegean Art and Culture A New York Aegean Bronze Age Colloquium in Memory of Ellen N Davis 1st Edition by Robert Koehl ISBN 1931534861 9781623034115

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ISBN 10: 1931534861
ISBN 13: 9781623034115
Author: Robert Koehl

Studies in Aegean Art and Culture A New York Aegean Bronze Age Colloquium in Memory of Ellen N Davis 1st Edition Table of contents:

Figure 1.1. Silver kantharos from Gournia House Tomb I, south room (HM 201). Courtesy Herakleion Archaeological Museum, Greek Ministry of Culture.
Figure 1.2. Ceramic kantharos from Isle of Christ, Malia (HM 7822). Courtesy Herakleion Archaeological Museum, Greek Ministry of Culture.
Figure 1.3. Ceramic kantharos from Pseira, Town Square pottery dump (Betancourt and Davaras, eds., 1999, fig. 22:BR 111).
Figure 1.4. Ceramic kantharos from Palaikastro (HM 3307). Photo J. Weingarten.
Figure 1.5. Ceramic polychrome kantharoi from Gournia House Tomb I, north room (HM 3621, 3622). Courtesy Philip P. Betancourt (1985, 102, fig. 75).
Figure 1.6. Three types of kantharoi from Level Ib at Kültepe(Kulakog ̆lu and Kangal, eds., 2011, 197, cat. nos. 67–69).
Figure 1.7. Pedestalled kantharoi from Kültepe Level Ib: (a) Emre 1998, pl. I.1; (b) Emre 1998, pl. II.2; (c) Emre 1998, pl. II.1; (d) Emre 1998, pl. II.3.
Figure 1.8. Ceramic kantharos from Kültepe Level Ib, tomb (Emre 1998, fig. 27).
Figure 1.9. Ceramic kantharos from Alaca Höyük (Kos ̧ ay and Akok 1947, pl. 37:c).
Figure 1.10. Serpentine kantharos possibly from Kato Syme. Oxford, Ashmolean Museum, AM AE 218. Courtesy Ashmolean Museum.
Figure 2.1. Vapheio Ccups: (a) “Peaceful” cup; (b) “Violent” cup. Photos courtesy Athens National Museum, Greek Ministry of Culture.
Figure 2.2. E. Gilliéron Père’s drawings of the Vapheio Cups (Evans 1921–1935, III, fig. 123).
Figure 2.3. Plan and section of the Vapheio Tholos (Tsountas 1889, 137–138).
Figure 2.4. View showing the dromos of Vapheio Tholos aligned with Mt. Taygetos (Banou and Hitchcock 2011, fig. 8). Courtesy E. Banou and L. Hitchcock.
Figure 2.5. Finds from the Vapheio Tholos. Adapted from Tsountas 1889, pls. 7, 8.
Figure 2.6. Ceramic goblet from the Vapheio Tholos (Banou and Hitchcock 2011, fig. 9). Courtesy E. Banou and L. Hitchcock.
Figure 2.7. Early Helladic II gold sauceboat, said to be from the Peloponnese. Private collection.
Figure 2.8. Twin-spouted gold sauceboat from Troy (Schliemann 1875, pl. XVI).
Figure 2.9. Depa amphikypella from Troy (Schliemann 1884, figs. 78, 79).
Figure 3.1. Gold sword, Persinari, Romania, mid-16th century B.C.E. Photo courtesy Stefan Alexandrov and the National Museum, Bucharest, Rumania.
Figure 3.2. “Type 2” bronze sword with gold hilt, Grave Delta, Grave Circle B, Mycenae, mid-16th century B.C.E., Athens National Museum, inv. no. 8710. Courtesy of the National Archaeological Museum, Athens, Hellenic Ministry of Culture and Sports/Archaeo
Figure 4.1. Scrapers from the cemetery of Petras, all made of copper or copper alloy: (a) ME 05-500, (b) ME 05-781, (c) ME 05-771, (d) ME 05-759, (e) ME 06-10, (f) ME 06-54; drawings D. Faulmann. Scraper from Naxos (g) with a wire for suspension still in
Figure 4.2. Metal circular pendants from the cemetery of Petras: (a) ME 09-170, (b) ME 06-122; drawings D. Faulmann. Circular artifacts of the type called “ring idols” from various sites, made from different materials: (c) Peristeria Salaminas, silver, di
Figure 5.1. Early Cycladic figurine of a pregnant woman. Naxos Museum 167. Photo courtesy of the Greek Ministry of Culture.
Figure 5.2. Fragments of a Middle Cycladic jar with men in awkward horizontal positions (drowned?). Akrotiri, Thera, inv. no. 11675. Courtesy of the Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 5.3. Miniature wall-painting from the West House, Akrotiri, Thera (detail), showing men and women in daily life activities and shipwreck. Akrotiri, Thera, inv. no. 5820.vi. Courtesy of the Archive of the Akrotiri Excavations, Archaeological Society
Figure 6.1. Ellen Davis, Christos Doumas, and Andreas Vlachopoulos, Thera Fresco Workroom, August 2006. Photo M. Hamaoui, courtesy Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 6.2. The “Blue Spirals” wall-painting, Xeste 3, Akrotiri, third floor, Room 3, north wall. Photo A. Eleftherakis, courtesy Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 6.3. Tentative reconstruction of the arrangement of the wall-paintings of Xeste 3 (the building seen from northwest). Model M. Wallner
Figure 6.4. Reconstruction drawing of Xeste 3, Akrotiri, second floor: (a) Room 3; (b) corridor leading to Room 3. Drawings N. Sepetzoglou.
Figure 6.5. Reconstruction drawing of the “Red Spirals” wall-painting, Xeste 3, Akrotiri, third floor, Room 3, south wall. Drawing N. Sepetzoglou.
Figure 6.6. Relief Lozenge wall-painting with purple and blue rosettes, Xeste 3, Akrotiri, third floor, Room 9, north wall: (a) photo; (b) detail; (c) reconstruction drawing. Photos A. Voliotis, courtesy Archive of the Akrotiri Excavations, Archaeological
Figure 6.7. Relief Lozenge wall-painting with grey and blue rosettes, Xeste 3, Akrotiri, third floor, Room 9: (a) photo; (b) reconstruction drawing. Museum of Prehistoric Thera. Photo courtesy Archive of the Akrotiri Excavations, the Archaeological Societ
Figure 6.8. Reconstruction drawing of the rosettes from the Relief Lozenge wall-paintings. Drawing N. Sepetzoglou.
Figure 6.9. Reconstruction drawing of the “Blue Spirals” wall-painting, Xeste 3, Akrotiri, third floor, Room 3, north wall. Drawing N. Sepetzoglou.
Figure 6.10. Pithos lid with rosettes from Sphoungaras, Crete. Drawing N. Sepetzoglou, after Hall 1912, fig. 39.
Figure 7.1. The “Saffron Gatherers” Fresco, Knossos. Courtesy P.P. Betancourt.
Figure 7.2. MM III pottery with landscape scenes: (a) Kommos (C 2376), Herakleion Archaeological Museum; (b) Knossos (Betancourt 1985, pl. 12 I), Ashmolean Museum; (c) Phaistos (F. 4491), Herakleion Archaeological Museum; (d) Phaistos (F. 5599), Herakleio
Figure 7.3. Reconstruction of a boat, the sea, a building, and male figures, Hagia Eirene (Morgan 2013, fig. 1). Courtesy L. Morgan.
Figure 7.4. Reconstruction of a stream with plants, a female figure, and a building, Hagia Eirene (Morgan 2005, ed., fig. 1.17). Courtesy L. Morgan.
Figure 7.5. Detail of the “Miniature Landscape Frieze,” West House, Akrotiri. Courtesy Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 7.6. The North Wall Frieze, West House, Akrotiri. Courtesy Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 7.7. Detail of the “Departure Town,” West House, Akrotiri. Courtesy Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 7.8. Detail of the “Flotilla” and the “Arrival Town,” West House, Akrotiri. Courtesy Archive of the Akrotiri Excavations, Archaeological Society of Athens.
Figure 7.9. Fragment from a Miniature Landscape Fresco, Epano Zakros. Photo E. Shank, courtesy L. Platon.
Figure 7.10. Miniature Landscape Frieze, Tel Kabri. Reconstruction by Wolf-Dietrich Niemeier and Barbara Niemeier with an added new fragment (Cline, Yasur-Landau, and Goshen 2011, fig. 7). Courtesy E. Cline, A.Yasur-Landau, and N. Goshen.
Figure 8.1. Faience statuettes from Knossos: front views of HM 64, HM 63, and HM 65. Courtesy Herakleion Archaeological Museum, Greek Ministry of Culture; photo of HM 64, Ch. Papanikolopoulos, courtesy INSTAP-SCEC.
Figure 8.2. Faience statuette from Knossos, HM 65: (a) back view drawing (after Evans 1902–1903, 79, fig. 57; 1921–1935, I, fig. 361); (b) side view (Evans 1921–1935, I, fig. 360:a); (c) three-quarter view (photo courtesy Herakleion Archaeological Museum,
Figure 8.3. Four views of the snake of HM 65 (details of Figs. 8.1, 8.2). Not to scale.
Figure 8.4. Faience statuette from Knossos, HM 63: front, side, and back view drawings. Note the labelled apron border (A) and snake (B). After Evans 1902–1903, 76, fig. 55; 1921–1935, I, frontispiece, fig. 359. Not to scale.
Figure 8.5. Faience statuette from Knossos, HM 63: front and back view drawings with restorations erased by B. Jones. Spotted snake indicated by label B. After Evans 1902–1903, 76, fig. 55; 1921–1935, IV, 176b, fig. 139. Not to scale.
Figure 8.6. Faience statuette from Knossos, HM 63: front and back view drawings with snakes colored and skirt and apron deleted. Adapted by B. Jones after Evans 1902–1903, 76, fig. 55; 1921–1935, I, frontispiece, fig. 359. Not to scale.
Figure 8.7. Reconstruction A, faience statuette from Knossos, HM 63. Drawing adapted by B. Jones after Evans 1921–1935, I, frontispiece. Photo courtesy Herakleion Archaeological Museum, Greek Ministry of Culture. Not to scale.
Figure 8.8. Reconstruction B, faience statuette from Knossos, HM 63. Drawing adapted by B. Jones after Evans 1921–1935, I, frontispiece. Photo courtesy Herakleion Archaeological Museum, Greek Ministry of Culture. Not to scale
Figure 8.9. Terracotta figurine from Piskokephalo, HM 16446 (Jones 2012, pl. XLVI.1:a–c). Not to scale.
Figure 8.10. Reconstruction C, faience statuette from Knossos, HM 63. Drawing adapted by B. Jones after Evans 1921–1935, I, frontispiece. Photo courtesy Herakleion Archaeological Museum, Greek Ministry of Culture. Not to scale.
Figure 8.11. Faience statuette from Knossos, HM 64: (a) front, (b) back, and (c, d) side views. Photos Ch. Papanikolopoulos, courtesy INSTAP-SCEC, and Herakleion Archaeological Museum, Greek Ministry of Culture.
Figure 8.12. Faience statuette from Knossos, HM 64: front and back view drawings adapted by B. Jones after Evans 1921–1935, I, 523, fig. 382. Not to scale.
Figure 8.13. Faience left arm from Knossos, HM 66: (a) top end, (b) front, (c) side, and (d) back. Photos Ch. Papanikolopoulos, courtesy INSTAP-SCEC and Herakleion Archaeological Museum.
Figure 8.14. Digital reconstructions of upper parts of faience statuette from Knossos, HM 64, front (a), back (b), and side (c) views by C. Mao and B. Jones. Photos C. Papanikolopoulos, courtesy INSTAP-SCEC and Herakleion Archaeological Museum.
Figure 8.15. Faience dress plaque from Knossos, HM 58a. Courtesy Herakleion Archaeological Museum, Greek Ministry of Culture.
Figure 9.1. Gold ring from Pylos, ANM 7985 (CMS I, no. 292): (a) photo; (b) detail cast; (c) drawing. Photos courtesy CMS and Greek Ministry of Culture; drawing courtesy CMS. Not to scale.
Figure 9.2. “Chieftain Cup,” HM 341: (a) side A; (b) side B. Photos courtesy Alison Frantz Archives, American School of Classical Studies at Athens. Not to scale.
Figure 9.3. Sealing HMs 52: (a) photo courtesy CMS and the Herakleion Archaeological Museum, Greek Ministry of Culture; (b) reconstruction drawing of sealing HMs 52 and HMs 53, drawing R.B. Koehl and P. Karsay. Not to scale.
Figure 9.4. HMs 76: (a) black and white photo courtesy CMS and Herakleion Archaeological Museum, Greek Ministry of Culture; (b) color photo by M. Anastasiadou courtesy CMS and Herakleion Archaeological Museum, Greek Ministry of Culture; (c) reconstruction

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