Thinking Reality and Time Through Film 1st Edition by Christine Reeh – Ebook PDF Instant Download/Delivery: 1443844187, 9781443844185
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ISBN 10: 1443844187
ISBN 13: 9781443844185
Author: Christine Reeh
Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy.
Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.
Thinking Reality and Time Through Film 1st Table of contents:
Part 1 – Mental Approaches: On the Nature of Time, Perception, and Images
Chapter I: The Image of Temporality
Maria-Teresa Teixeira
Chapter II: Ethics and the Integrity of Gesture in Steve McQueen’s Hunger
Susana Viegas
Chapter III: Cinematographic Narrative and Personal Identity
Carlos João Correia
Chapter IV: The Phantasmatic Reality: A Phenomenological Study of the Cinematic Imagination
Przemysáaw Bursztyka
Chapter V: ‘Back’ to the Window? A Husserlian Insight into Film Image
Claudio Rozzoni
Chapter VI: In Reality: The Ultimate Cinematic Quest
José Manuel Martins
Chapter VII: The Filmic Century/Centuries of the Mind: Tracing the Beginnings of Subjective Cinema
Atơnơ Mendelytơ
Part 2 – Ontological Realism and Accessing Truth through Film
Chapter VIII: Bazin, Style, and Digitization: Ontology, Epistemology, and the New Myth of Total Cinema
Leighton Grist
Chapter IX: The Revolutionary Gaze into the Real: Dziga Vertov’s ‘Kino-Eye’
Tatjana Sheplyakova
Chapter X: The Blue Flower in the Land of Technology: Film, Time, and Politics in Walter Benjamin
Hyun Kang Kim
Chapter XI: The Ontology of Film Image: A Conversation between Andrei Ujica and Peter Weibel
Peter Weibel and Andrei Ujica
Chapter XII: A Multimodal Theory of Film Experience
Colin McGinn
Chapter XIII: On the Rise of Solaristic Philosophy
Christine Reeh
Chapter XIV: Aesthetic-Philosophical Realism: How Intuition Matters for Ontology and Cinema
Josef Früchtl
Part 3 – Unmasking Violence: Trauma and Film
Chapter XV: There is no Rewind-Button on the Beta-Mix of Life: Cruelty as Transgression and Virtualization in Michael Haneke’s Funny Games
Mirjam Schaub
Chapter XVI: Mask
Christoph Korn, Cristina Beckert, and Maria João Madeira
Chapter XVII: A Sort of Microscope of Time: Decelerated Movement and Archive Footage
Susana de Sousa Dias
Chapter XVIII: Green Leaves, Green Sorrows: On Víctor Erice’s Broken Glasses
Maria Filomena Molder
Chapter XIX: Unexpected Findings and Documentaries
Vítor Moura
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