Thinking Reality and Time Through Film 1st Edition by Christine Reeh 1443844187 9781443844185

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ISBN 10: 1443844187 

ISBN 13: 9781443844185

Author: Christine Reeh

Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy.

Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.

Thinking Reality and Time Through Film 1st Table of contents:

Part 1 – Mental Approaches: On the Nature of Time, Perception, and Images

Chapter I: The Image of Temporality
Maria-Teresa Teixeira

Chapter II: Ethics and the Integrity of Gesture in Steve McQueen’s Hunger
Susana Viegas

Chapter III: Cinematographic Narrative and Personal Identity
Carlos João Correia

Chapter IV: The Phantasmatic Reality: A Phenomenological Study of the Cinematic Imagination
Przemysáaw Bursztyka

Chapter V: ‘Back’ to the Window? A Husserlian Insight into Film Image
Claudio Rozzoni

Chapter VI: In Reality: The Ultimate Cinematic Quest
José Manuel Martins

Chapter VII: The Filmic Century/Centuries of the Mind: Tracing the Beginnings of Subjective Cinema
Atơnơ Mendelytơ

Part 2 – Ontological Realism and Accessing Truth through Film

Chapter VIII: Bazin, Style, and Digitization: Ontology, Epistemology, and the New Myth of Total Cinema
Leighton Grist

Chapter IX: The Revolutionary Gaze into the Real: Dziga Vertov’s ‘Kino-Eye’
Tatjana Sheplyakova

Chapter X: The Blue Flower in the Land of Technology: Film, Time, and Politics in Walter Benjamin
Hyun Kang Kim

Chapter XI: The Ontology of Film Image: A Conversation between Andrei Ujica and Peter Weibel
Peter Weibel and Andrei Ujica

Chapter XII: A Multimodal Theory of Film Experience
Colin McGinn

Chapter XIII: On the Rise of Solaristic Philosophy
Christine Reeh

Chapter XIV: Aesthetic-Philosophical Realism: How Intuition Matters for Ontology and Cinema
Josef Früchtl

Part 3 – Unmasking Violence: Trauma and Film

Chapter XV: There is no Rewind-Button on the Beta-Mix of Life: Cruelty as Transgression and Virtualization in Michael Haneke’s Funny Games
Mirjam Schaub

Chapter XVI: Mask
Christoph Korn, Cristina Beckert, and Maria João Madeira

Chapter XVII: A Sort of Microscope of Time: Decelerated Movement and Archive Footage
Susana de Sousa Dias

Chapter XVIII: Green Leaves, Green Sorrows: On Víctor Erice’s Broken Glasses
Maria Filomena Molder

Chapter XIX: Unexpected Findings and Documentaries
Vítor Moura

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