Writing Differently 1st Edition by Alison Pullen, Jenny Helin, Nancy Harding- Ebook PDF Instant Download/Delivery: 9781838673390, 1838673393
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Product details:
ISBN 10: 1838673393
ISBN 13: 9781838673390
Author:  Alison Pullen, Jenny Helin, Nancy Harding
Table of contents:
Chapter 1. Introducing
- Alison
 - Jenny
 - Nancy
 - Alison
 - Nancy
 - Jenny
 - Alison
 - Jenny
 - Alison
 - Nancy
 - Alison
 - Further Reading
 
Chapter 2. Feminist Writing in a Gendered Transnational World: Women on the Move?
- Abstract
 - The Ways Things Are
 - Resistance in the Making …
 - She Writes and the World Changes?
 - References
 
Chapter 3. On the Fringe/At the Fringe: Fleshing Out Research
- Preview
 - Notes
 - Closing credits
 - Curtain Closes
 - Cutting the Fringe: taking meat off the bones, and extracting our pound of flesh
 
Chapter 4. Tractor Dad: From story to a scientific text, and back
- Abstract
 - In the Beginning, There Was a Story
 - Tractor Dad
 - Connecting to the scientific community
 - Story Writing in Research
 - Story as ‘Art’ or ‘Science’
 - The Scientific Article Format as an ‘Intellectual Bottleneck’
 - Science Needs Stories
 - Notes
 - References
 
Chapter 5. Annotation
- Abstract
 - Introduction
 - Methodology
 - Part 1: Core Texts
- Annotation for an Academic by Deborah N. Brewis
 - Annotation for a Software Engineer by Aled James
 - Annotation for a Medical Sonographer (Anonymous)
 - Annotation for an Artist by Sarah Taylor Silverwood
 
 - Part 2: Sister Texts
- A-1 Activism
 - B-1 Time
 - B-2 Expression
 - C-1 Space
 - C-2 Becoming
 - D-1 Methodology
 - E-1 Audience
 - F-1 Art Practice
 - F-2 Words and Image
 - C-3 Sister texts: Concluding
 
 - Acknowledgements
 - Notes
 - References
 
Chapter 6. Breaking with the masculine reckoning: An open letter to the Critical Management Studies Academy
- Abstract
 - Introduction
 - Self-portraits of Blind Painters
 - The School of Dreams
 - Emancipation Activism A-Call-to-Arms Écriture Féminine
 - My Alms
 - Theory
 - The Pure Element of Fear
 - The Axe Returns
 - We Need a Dead (Wo)man to Begin
 - Freedom
 - Notes
 - References
 
Chapter 7. When fiction meets theory: Writing with voice, resonance, and an open end
- Abstract
 - Fictocriticism as a Call for Writing Differently
 - Writing a Textbook Propelled by Fiction: A Novel Way of Writing
 - At the Crossroads of Fiction and Theory – Three Reflections on Engaging in Writing
 - Writing with Voice
 - Writing with Resonance
 - Writing with an Open End
 - Writing Differently – A Way to Learn and to Engage in Learning
 - Acknowledgements
 - References
 
Chapter 8. Writing past and present classed and gendered selves
- Abstract
 - Feminist Duoethnography and Memory Work
 - Snapshots I: Working-class Good Girls
 - Snapshots II: Learning to Labour (for the Academy)
 - Snapshots III: Passing
 - Remembrance and Reflexivity
 - Conclusion: Memory, Meaning and Knowledge
 - Notes
 - References
 
Chapter 9. From Ethnography to Critical Management Studies: Facing the Street Performers’ Dilemmas
- Preface
 - Investigating the Activity of Street Performers
 - Coping With the Restrictions: Leaving the Ethnography
 - Writing Differently: Moving to CMS
 - Note
 - References
 
Chapter 10. The political poetics of Mycelium
- Abstract
 - Introduction Spores
 - What Is a Mycelium?
 - Who What Is Mycelium?
 - Phases in the Life and Death of a Mycelium
 - Expansion
 - Cannibalism
 - Witches’ Circle Formation
 - Communication
 - Mycelic Politics?
 - Attack of the CORDYCEPS – Notes on Parasitic Strategies
 - Attack of the Massospora cicadina – Notes on Parasitic Strategies
 - Mycelic Writing
 - Mycelic Performance and Ritual
 - Conclusion Continuation
 - Ten Easy Steps to Mycelify Yourself
 - Bibliography:
 - Books by Mycelium:
 - Other Mycelic Writers
 - Mycelified Quotations/Enhanced Poetic Readymades
 
Chapter 11. On silence and speaking out about sexual violence: An exploration through poetry
- Abstract
 - References
 
Chapter 12. (Re)imagining the Activist Academy
- Abstract
 - Questions, Queries, Reflections
 - Answers, Solutions, Imaginations
 - References
 
Chapter 13. Researching through experiencing aesthetic moments: ‘Sensory slowness’ as my methodological strength
- Abstract
 - Introduction
 - The Sensing Researcher Conducts Research S l o w l y
 - Methodology
 - The Three Aspects of ‘Sensory Slowness’
 - Appreciating Sensory Cues in the Researcher–Researched Relationship
 - Researching ‘Flesh in Relation to Flesh’
 - Allowing Vulnerability to Flourish
 
Concluding Thoughts
References
About the Contributors
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