Art and Palace Politics in Early Modern Japan 1580s 1680s Japanese Visual Culture Elizabeth Lillehoj – Ebook PDF Instant Download/Delivery ISBN: 9789004206120, 9004206124
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• ISBN 10: 9004206124
• ISBN 13: 9789004206120
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During the first century of Japan’s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yōzei and Go-Mizunoo relied on financial support from ruling warlords–Toyotomi Hideyoshi and the Tokugawa shoguns–just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yōzei and Go-Mizunoo (and to an unprecedented exent his empress, Tōfukumon’in) enhanced the heriditary prerogatives of the imperial family.
Table Contents:
Preface
Acknowledgments
Notes to the Reader
State of the Field
1 Hideyoshi Restores Glory to the Palace
2 GoYōzeis Imperial Imperative as Cultural Arbiter
3 Tokugawa Shoguns and Patronage for the Throne
4 GoMizunoos Ritual and Cultural Agenda
8 Visual Documents of the EmperorWarlord Relationship
9 Closing Comments
Endnotes
Emperors and Reigning Empresses
Members of the Imperial Family
Imperial Palace Documents Buildings and Panel Paintings
List of Chinese Characters
Bibliography
5 Art and Architecture for Empress Tōfukumonin
6 Paintings of the Imperial Excursion to Nijō Castle
7 Emperor and Empress as Patrons of Kyoto Culture
Illustrations and Photo Credits
Index
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