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Background Noise Perspectives on Sound Art 2nd Edition by Brandon Labelle ISBN 9781628923544 1628923547

Name: Background Noise Perspectives on Sound Art 2nd Edition by Brandon Labelle ISBN 9781628923544 1628923547
SKU: EB-49177408
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Background Noise Perspectives on Sound Art 2nd Edition Brandon Labelle Digital Instant Download

Author(s): Brandon LaBelle

Edition: 2

File Details: PDF, 4.29 MB

Year: 2015

Language: english

SKU: EB-49177408 Category: Arts - Digital Music Tag: Brandon LaBelle

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Background Noise Perspectives on Sound Art 2nd Edition by Brandon Labelle – Ebook PDF Instant Download/Delivery: 9781628923544 ,1628923547
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ISBN 10: 1628923547
ISBN 13: 9781628923544
Author: Brandon Labelle

Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle’s book is informed by spatial thinking – weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound’s relational dynamic. For the author, this is embedded within sound’s tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible. This second expanded edition includes a new chapter on the non-human and subnatural tendencies in sound art, revisions to the text as well as a new preface by the author. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies and media theory, Background Noise makes the case that sound and sound art are central to understandings of contemporary culture.

Background Noise Perspectives on Sound Art 2nd Edition Table of contents:

Part 1: 4’33”: Sound and Points of Origin

Introduction to Part 1

Chapter 1. Sociality of Sound: John Cage and Musical Concepts

Chapter 2. Exposing the Sound Object: Musique Concrète’s Sonic Research

Chapter 3. Automatic Music: Group Ongaku’s Performative Labors

Part 2: Box with the Sound of Its Own Making: From Gags to Sculptural Form

Introduction to Part 2

Chapter 4. Rhythms of Chaos: Happenings, Environments, and Fluxus

Chapter 5. Minimalist Treatments: La Monte Young and Robert Morris

Chapter 6. Conceptualizations: Michael Asher and the Subject of Space

Part 3: I Am Sitting in a Room: Vocal Intensities

Introduction to Part 3

Chapter 7. Performing Desire/Performing Fear: Vito Acconci and the Power Plays of Voice

Chapter 8. Finding Oneself: Alvin Lucier and the Phenomenal Voice

Chapter 9. Word of Mouth: Christof Migone’s Little Manias

Part 4: Public Supply: Buildings, Constructions, and Locational Listening

Introduction to Part 4

Chapter 10. Tuning Space: Max Neuhaus and Site-Specific Sound

Chapter 11. Other Architectures: Michael Brewster, Maryanne Amacher, and Bernhard Leitner

Chapter 12. Composing Intensities: Iannis Xenakis’s Multi-media Architectures

Part 5: Soundmarks: Environments and Aural Geography

Introduction to Part 5

Chapter 13. Seeking Ursound: Hildegard Westerkamp, Steve Peters, and the Soundscape

Chapter 14. Language Games: Yasunao Tone and the Mechanics of Information

Chapter 15. Complicating Place: Bill Fontana and Networking the Soundscape

Part 6: Global Strings: Interpersonal and Network Space

Introduction to Part 6

Chapter 16. Interactions: Achim Wollscheid’s Production of the Local

Chapter 17. Global Events: Atau Tanaka and Network as Instrument

Chapter 18. Live Streams: Apo33 and Multiplying Place

Fade Out

Conclusion: Auditive Pivot

Appendix: Peripheries—Subnature, Phantom Memory, and Dirty Listening

Bibliography

Index

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Background Noise Perspectives on Sound Art 2nd Edition by Brandon Labelle ISBN 9781628923544 1628923547

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