Bengali Cinema An Other Nation 1st Edition by Sharmistha Gooptu – Ebook PDF Instant Download/Delivery: 9780203843345 ,0203843347
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Product details:
ISBN 10: 0203843347
ISBN 13: 9780203843345
Author: Sharmistha Gooptu
Bengali Cinema An Other Nation 1st Edition Table of contents:
1 The idea of a ‘Bengali’ cinema
Cinema and the idea of modernity
Films: a window to the world, a new art form
Bengal’s silent cinema, and the early talkies
The inferiority of Indian films and the call for film art
The bhadralok’s model for film practice
Cinema: Bengal’s new cultural project
2 Bengal and a ‘national’ cinema: New Theatres Ltd.
The coming of the talkie and the creation of the ‘all-India’ and ‘Bengali’ markets
The talkies: a new profession
Birendranath Sircar and New Theatres Ltd.
Initiating a ‘Bengali’ cinema: Rami and Chandidas
Devdas
Prestige projects and the making of film art
Urdu films, double versions, stars and musical numbers: New Theatres and the ‘all-India’ market
‘Professionalism’ and the ‘non-professional’: the idea of ‘NT’
Bengali concern, a Bengali lead
Appendix
Other Bengal (Calcutta) studios of the talkie era
Shree Bharat Lakshmi Pictures
East India Film Company
Radha Film Company
Indra Movietone
3 The transition to a ‘regional’ cinema
The Bengal film industry at the beginning of the 1940s
The 1940s Bengal cinema: ‘national’ or ‘regional’?
War and the first setback
Partition and loss of the East Bengal market
The ‘all-India’ film
Towards a ‘regional’ cinema
A Bengali public and a ‘Bengali’ cinema
Bombay’s Bengali life
4 Bengali love stories
The 1950s and Uttam–Suchitra
The black-and-white world of Uttam–Suchitra
Sare Chuattar to Saptapadi: a new hero and heroine and the new text of the 1950s Bengali film
Uttam Kumar: transition from ‘picture personality’ to the star
A ‘Bengali’ icon: the star text of Uttam Kumar Chatterjee
‘Mrs. Sen’ of Calcutta and ‘Babes’ of Bombay: Uttam–Suchitra versus Raj Kapoor and Nargis
The ‘all-India’ film and a ‘Bengali’ cinema
5 Common man’s comedy
The funny man from the other side: Bhanu the bangal
Common man Bhanu
The star without glamour
6 Satyajit Ray and the Bengali cinema
On the way to becoming a famous film-maker
Signifying to a Bengali public
With an eye to the box office
Ray’s ‘hero’ and the romantic couple in Apur Sansar
Ray and the Bengali cinema
Ray and a Bengali public
7 Changing context, new texts
The 1960s and 1970s Bengali cinema: old genres and some new trends
Bhadralok loafer and shikkita bekar, middle-class prostitution, and a new face of Bengali films
The texts of the 1980s Bengali cinema
Epilogue
Afterword
Notes
Bibliography
Journals
Newspapers and Magazines
Official Documents
Private Papers
Miscellaneous Publications
Dissertations and Unpublished Papers
Websites
Select Books and Articles
Index
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