Conquered Conquerors Love and War in the Song of Songs 1st Edition by Danilo Verde – Ebook PDF Instant Download/Delivery: 0884144682 ,9780884144670
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Product details:
ISBN 10: 0884144682 
ISBN 13: 9780884144670
Author: Danilo Verde
Danilo Verde explores the Song of Songs’ use of military language to describe both love and lovers from the perspective of cognitive metaphor theory. Love is war is one of the main recurring themes of the Song, and the poem’s representations of love/rs using military imagery thematically connects the poem, providing the reader with a coherent and conceptually unified understanding of the Song. Additionally, this book investigates how the Song conceptualizes the female and the male, revealing their tight interconnection in the poem. By exploring one of the Song’s most overlooked images, Conquered Conquerors provides fresh insights into the Song’s figurative language and the conceptualization of gender in biblical literature
Conquered Conquerors Love and War in the Song of Songs 1st Edition Table of contents:
1. Introduction
1.1 Overview of the Song’s Military Imagery
1.2 Scholarly Research on the Song’s (Military) Metaphors
1.2.1 Monographs on the Song’s Figurative Language
1.2.2 Other Studies
1.3 Theoretical Framework
1.4 Metaphor Analysis in Three Steps
1.5 Preambles
— 1.5.1 On the Song’s Literary Structure
— 1.5.2 On the Song’s Date of Composition
— 1.5.3 On the Meaning of the Song’s Warlike Metaphors
2. Woman Is Fortified City
2.1 The Elusive Woman (Song of Songs 4:4)
— 2.1.1 The Marked Word Order
— 2.1.2 Woman/City at War
— 2.1.3 Playing Hard to Get
2.2 The Sublime Woman (Song of Songs 6:4)
— 2.2.1 The Symmetry of Syntax
— 2.2.2 Breaking the Parallelism: The Vexata Quaestio of דגל
— 2.2.3 The Power of Beauty: The Subjugating Female
2.3 The Mature Woman (Song of Songs 8:10)
— 2.3.1 Syntax and Forward Movement
— 2.3.2 Standing between the Family and the Beloved
— 2.3.3 A Challenging Peripheral Voice
3. Man Is Conqueror
3.1 The Virile and Passionate Man (Song of Songs 2:4)
— 3.1.1 The Intoxicating Male Dominance
— 3.1.2 The Medium of the Vigor of Love
3.2 The Sublime Man (Song of Songs 5:10)
— 3.2.1 The Interplay between the Colons
— 3.2.2 Romance and the Military
3.3 The Man in the Grip of His Longing (Song of Songs 6:12)
— 3.3.1 A Sensible Conjecture for a Difficult Clause
— 3.3.2 The Male Unrestrainable Desire
— 3.3.3 The Man’s Inner Experience
3.4 The Song’s Warrior and the Embodiment of Masculinity
4. Woman Is Conqueror
4.1 The Irresistible Woman (Song of Songs 1:9)
— 4.1.1 Another Case of Marked Word Order
— 4.1.2 Overwhelming Female Beauty
— 4.1.3 Empowering Poetry
4.2 The Extolled Heroine (Song of Songs 7:1)
— 4.2.1 The Syntax of the Simile כמחלת המחנים : A New Proposal
— 4.2.2 The Conceptual Density of a Poetic Metaphor
— 4.2.3 Who (This Time) Conquers Whom
5. Love Is Strife
5.1 The Powerful and Invincible Love (Song of Songs 3:6-8)
— 5.1.1 A Very Long and Elaborate Military Scene
— 5.1.2 The Song’s Warriors and the Ancient Script “Wedding”
— 5.1.3 When Love Is in Danger
5.2 The Subjugating Love (Song of Songs 8:6-7)
— 5.2.1 A Glance at the Syntax
— 5.2.2 Love, the Military, and the Divine
— 5.2.3 Facing (and Overcoming) External Oppositions
6. Conclusions
6.1 The Dialectic of the Song’s Warlike Metaphors
6.2 Global Coherence and the Reading Process
— 6.3 The Vexata Quaestio of the Song’s Literary Unity
6.4 Reading the Song Da Capo in Light of Its Military Imagery
6.5 A Multilevel Approach to Metaphor
6.6 Powerful and Powerless Gender
6.7 The Song’s Troublesome Metaphors
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Tags: Danilo Verde, Conquered Conquerors, War, Songs


