Disability and Art History from Antiquity to the Twenty First Century 1st Edition by Ann Millett Gallant, Elizabeth Howie ISBN 9780367500474 0367500477

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Product details:

ISBN 10: 0367500477
ISBN 13: 9780367500474
Author: Ann Millett Gallant, Elizabeth Howie

Disability and Art History from Antiquity to the Twenty First Century 1st Edition Table of contents:

Part 1 Ancient history through the seventeenth century: gods, dwarfs, and warriors

1 Hephaestus represented: a mêtis-based inquiry

2 The role of dwarfs in Tang postmortem elite life

3 Disability and poverty at the Brancacci Chapel

4 Disability at the edge of war: gendered violence in the graphic practice of Urs Graf

Part 2 Seventeenth-century Spain to the American Civil War: misfits, wounded bodies, and medical specimens

5 Destierro and Desengaño: the disabled body in Golden Age Spanish portraiture

6 An inartistic interest: Civil War medicine, disability, and the art of Thomas Eakins

7 Empty sleeves and bloody shirts: disabled American Civil War veterans and presidential campaigns, 1864–1880

Part 3 Modernism, metaphor, and corporeality

8 Deaf gain: Toulouse-Lautrec’s early training with René Princeteau

9 Manet’s syphilis: masculinity, debility, and adaptation in the 1880s

10 Facially disfigured veterans of World War I in present-day art: an art historical analysis against the background of medical history

11 Disability metaphor and American individualism: beyond The Glass Menagerie

12 “Building the World of Tomorrow”: disability, eugenics, and sculpture at the 1939 New York World’s Fair

13 Aesthetics of disability and the hybrid body in Louise Bourgeois’s Femme Maison

Part 4 Contemporary art: crips, care, and portraiture

14 Listening to the queer-crip body of Derek Jarman’s Blue

15 Collaborative portraiture: a feminist disability studies approach to the work of Riva Lehrer and Tanya Raabe-Webber

16 Performing Disability and Endurance: On Carolyn Lazard’s Support System (for Tina, Park, and Bob)

Index

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Ann Millett Gallant,Elizabeth Howie,Disability,Art History,Antiquity,Twenty First Century