Filmspanism A Critical Companion to the Study of Spanish Cinema 1st Edition by Juan Egea 042965586X 9780429655869
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ISBN 10: 042965586X
ISBN 13: 9780429655869
Author: Juan F. Egea
Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study. An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.
Filmspanism A Critical Companion to the Study of Spanish Cinema 1st Table of contents:
1 Hispanism and its cinematic discontents
Foundational frictions
Filmspanism
Bloody Oedipus
Thinking and filming the nation
Imagining the opposite of a community (together)
Imagined beginnings
Vernacular modernity
Conclusion
2 Film, art, poetry: Spanish cinema and the place of literature
Sister arts, mining shaft, or a medium to overcome
Questions of space
Aesthetics and institutions
The Spanish difference (again)
Art cinema made in Spain
An art cinema for the 1990s
El sol del membrillo: painting with light in the national imagescape
Institutionally artistic
Can you tell the filmmaker from the film?
Poetry and film
Images that do not narrate
Conclusion
3 Popular film or cinema as bad object
The place of popular film within peninsular cultural studies
Plots against images and deaths that cannot kill
Paletos, landismo, and some torrentismo
How popular is Torrente?
Too many last names
Documenting, judging, identifying
Conclusion
4 Genre and nation
Made in (E)spain
National genres
Guerracivilismo
The persistence of the memory image
Agonic national identity
Transnational fantasies, local knowledge
Memory fictions
Conclusion
5 (Spanish) transnational cinema
The trans and the national
Follow the money, map the themes
Sponsored communities and (s)elective affinities
How to be transnational abroad
Transnationalism made in Spain and questions of genre
A thrilling crisis
Thriller made in Spain
The production of crisis images
Cut to the chase
Manos arriba, esto es un atraco/Hands up, this is a holdup
Conclusion
6 Screenspanism?
This is the end
Actually, this is really the end
Works cited
Index
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Juan Egea,Filmspanism,Critical Companion
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