History of Modern Design 3rd Edition by David Raizman ISBN 9781529419764 152941976X

Part I: Demand, Supply, and Design (1700–1800)

Introduction: Thinking about Design

Chapter 1. Royal Demand and the Control of Production

State-owned Manufactories

Artists and Craftsmen

Porcelain

The Guilds

Percier and Fontaine: Design, Fashion, and Continuity in the Aftermath of Revolution

The Printer’s Art

Chapter 2. Entrepreneurial Efforts in Britain and the United States

Design in an Expanding Market

Wedgwood and Antiquity

Commodities, Fashion, and Taste

Hopes and Fears in an Expanding Market

The United States

Popular Literature and the Freedom of the Press

Global Inspiration I: China and the Sinosphere

Part II: Expansion and Taste (1801–1865)

Introduction

Chapter 3. Growing Pains: Expanding Industry in the Early Nineteenth Century

A Culture of Industry and Progress in the West

New Materials and Processes

Beyond the Printed Page

Wallpaper and Fabric Printing

Design, the American System, and Race

Chapter 4. Design, Society, and Standards

Early Design Reform

Industry and Its Discontents

Reform and the Gothic Revival

Henry Cole and the “Cole Group”

The Great Exhibition of 1851

Images for All

Popular Graphics in the United States

A Balance Sheet of Reform

Conclusion

Global Inspiration II: Muslim West Asia and North Africa

Part III: Arts, Crafts, and Machines: Reconciling Progress and Fears of Industrialization (1866–1914)

Introduction

Chapter 5. The Joy of Work

Ruskin, Morris, and the Arts and Crafts Movement in Britain

Morris, Activism, and Socialism

Morris as Publisher

The Influence of William Morris in Britain

The Arts and Crafts Movement in the United States

Printing in the United States

Chicago and Frank Lloyd Wright

Chapter 6. The Equality of the Arts

Beyond Design Reform

Aesthetic Adventures

Japan and Japonisme

Books, Illustration, and Type

The Aesthetic Movement in the United States

Dress

The Aesthetic Movement and Shopping

Design Reform and Beyond in France: L’Art Nouveau

Art Nouveau in Print and in Public

Glasgow: Charles Rennie Mackintosh

Austria

Belgium

The Netherlands

Munich

Scandinavia, Eastern Europe, and National Romanticism

Italy and Spain

A Critical Look at Aesthetic Movements

Chapter 7. Industrial Cultures

Design, Big Business, and the Workplace

Germany

The American System of Manufacture and Fordism

Developments in Merchandising, Printing, and Advertising

Conclusion

Global Inspiration III: Central and Western Africa

Part IV: After World War I: Art, Industry, Commerce, and Utopias (1918–1944)

Introduction

Dimensions of Interwar Design

Chapter 8. Paris and Art Moderne (Art Deco) Before and After World War I

Some Varied References for Art Moderne

Glass and Lacquer

Traveling in Style: Tourism. Luxury, and Promotion

The Paris Exposition of 1925

Chapter 9. “Modernism”: Design, Utopia, and Technology

Futurism

France: L’Esprit Nouveau and Purism

The U.A.M.

De Stijl

Modernism and Communism: Constructivism

The Bauhaus

Beyond the Bauhaus

Design, Socialism, and the New Frankfurt

The Printing Industry and the “New Typography”

Jan Tschichold and the “New Typography”

Britain and Modern Design

Scandinavia and Modern Design

Taking Stock: Was Interwar Modernism Universal?

Chapter 10. Design, Industry, and Advertising in the United States

Industrial Design and Fordism

Advertising, Art, and the Selling of Modern Design in the United States

The United States and International Modernism

Streamlining

The New York World’s Fair

Photography and Graphic Design

Industrial Design and Austerity

Graphic Design in Wartime

Conclusion

Global Inspiration IV: The Americas

Part V: International Modernism and Mass Culture After World War II (1945–1960)

Introduction

Chapter 11. Modernism after World War II: The United States, Western Europe, and Scandinavia

Problem-Solving, Collaboration, and Marketing Industrial Design

The Aesthetics of Post-War Industrial Design

Promoting Post-War Design: Museums, Art Direction, and the New Advertising

Graphic Design and Technical Information

Scandinavia

Post-War Modern Design for Housing

Britain

Italy

Germany

The Other Side of the Cold War

The International Typographic Style (Die Neue Grafik)

Means and Ends

Design and Corporate Culture

Corporate Identity: Trademarks and Beyond

Chapter 12. Design and Mass Appeal: Taste in a Culture of Consumption

Detroit: Transportation as Symbol

Critics of Styling

Resorts and Luxury

Housing: Suburbia, Domesticity, and Conformity

Conclusion

Global Inspiration V: Japan

Part VI: Progress, Protest, Pluralism, and Responsibility (1961–2020)

Introduction

Chapter 13. New Materials, New Products

Plastics and Their Progeny

Product Housing

Laminated Materials

Sports Equipment and Progress

Retail and Fair: Marketing Modern Design

Nature and Craft in an International Context

Visual Identity, Information, and Art Direction

New Directions in Graphic Design: Breaking the Rules, Bucking the System

Chapter 14. Dimensions of Mass Culture

Mass Design and the Home: Progress and Criticism

Capitalism as Deception?

Mass Design: The Fringes

Pop, Protest, and Counterculture

Undercurrents: Graphics and the Underground

Posters and Political Engagement in Poland

Anti-Design in Italy

Design Activism: Safety, Technology, and the Environment

The Future of Housing

Chapter 15. The Politics of Difference: Pluralism, Postmodernism, and Expanding the Parameters of Design Practice

Pluralism and Resistance: Punk

Hi-Tech

Postmodernism and Taste

Postmodern Products

Beyond the Object: Expanding Design’s Reach

Chapter 16. Contemporary Design in Context: Innovation, Responsibility, and Balance

Twenty-First-Century Political, Environmental, and Social Motivations for Design

Peering into Possible Futures

Contemporary Design and Economic Growth

Redesign versus Obsolescence

Users and Design Process

Service Design

Artificial Intelligence, Smart, and Autonomous Products

Materials Technology and Softness

Politics, Technology, and the Media

Graphic Design in the Digital Age

Craft: The Persistence of Process

Design, History, and Common Ground

Global Inspiration VI: Revisiting China

Select Bibliography

Picture Credits

Sources and Credits for Quotations

Index