Making Media Foundations of Sound and Image Production 5th Edition by Jan Roberts Breslin 0367638312 9780367638313

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ISBN 10: 0367638312

ISBN 13: 9780367638313

Author: Jan Roberts Breslin

Taking essential media production processes, this book deconstructs them into the most basic components. Students will learn the concepts of media production – frame, sound, light, time, motion, and sequencing – and be able to apply them to any medium they choose, from film and television to fine art and online applications. They will also become well-grounded in the digital work environment and the tools required to produce media in today’s digital environment. The primacy of content and the importance of an ethical approach to media making are also emphasized. This new fifth edition is fully updated throughout, featuring updates on technology and processes. Included is new information on shooting with a cell phone, developments in mirrorless cameras, color grading, tips for recording good audio, intimacy training, and much more. Fully illustrated, this book includes sidebar discussions of pertinent issues throughout. There is a companion website with interactive exercises for each chapter, allowing students to explore the process of media production. This book is ideal for media students on courses including media production, film production, audio production, and photography.

Making Media Foundations of Sound and Image Production 5th Table of contents:

Chapter 1 Content and Development

The Primacy of Content

Developing Story Ideas

Knowing your Audience

Matching the Medium to the Message

Classifying Content

Cultural Perspective

Linear Versus Nonlinear Storytelling

Defining the Stages

Development

Financing

Script

Visualizing the Script

Branching Structures

Alternatives

Ethical and Legal Responsibilities

Ethical Responsibilities

Production Ethics

Postproduction Ethics

Cultural Sensitivities

Legal Issues

Conclusion

Putting It Into Practice

Observing

Writing and Doing

Chapter 2 Composing the Frame

Seeing the World Through a Frame

The Still Image

Controlling the Frame

The Shape of the Frame

What’s in the Frame and What Isn’t: Shot Sizes

The Weight and Magnetism of the Frame

Conclusion

Putting It Into Practice

Observing

Writing

Doing

Chapter 3 Reproducing the Frame

PART 1: Creating the Image

Lenses

Focal Length

Lens Characteristics

Aperture

Shutter Speed

Sensitivity

Focus

Resolution

PART 2: The Frame Applied to Different Media

Analog Versus Digital Reproduction

Still Image Making

Film

Digital

Resolution

Compression

Motion Pictures

Film

Digital Video

Scanning

Shutter Speed

Sensitivity

Video Compression

Types of Video Cameras

Conclusion

Putting It Into Practice

Observing

Writing

Doing

Chapter 4 Depth, Movement, and Time

Media Illusions

Creating Visual Depth

Placement

Lens Choice and Focus

3D

Movement

Movement within a Still Frame

Moving Images

Frame Rate and Shutter Speed

Subject Movement

Camera Movement

Drones

Types of Camera Movements

Movement Through Editing

Movement Considerations in Different Media

Movement and the Long Take

Long Takes in Fiction Narratives

Long Takes in Documentaries

Budget Considerations

Animation and Motion Graphics

Virtual, Augmented, and Mixed Reality

Time and Space

Frozen Time

Series

Sequence

Sounds and Images Existing in Time

Real Time

Recorded Real Time

Illusion of Real Time

Ellipsis of Time

Defying Time

Conclusion

Putting it into Practice

Observing

Doing

Chapter 5 Light

The Importance of Light

Understanding Light

Quantity

Exposure

Contrast

Quality

Direction

Color

Reproducing Color

Color Temperature

Sources of Light

Daylight

Existing Artificial Light

Added Lights

Lighting Concerns of Different Media

Film

Color Reproduction

Color Temperature and Film Stocks

Video and Digital Images

Color Reproduction

Three-Chip Cameras

Large-Format Single-Sensor Cameras

Accurate Color

Shooting in Log

Virtual Relighting

Conclusion

Putting It Into Practice

Observing and Writing

Doing

Chapter 6 Sound

The Importance of Sound

Understanding Sound

Sound Waves

The Ear

Reproducing Sound

Microphones

Using Microphones

Transducer

Pickup Patterns

Microphone Usage Types

Balanced Versus Unbalanced

Analog Versus Digital Recording

Audio Compression

Sound Variations

Quantity of Sound

Signal-to-Noise Ratio

Quality of Sound

Reverberation

Presence

Direction of Sound

Moving Sound

Recording Clean Sound

Recording Formats

Digital Formats

Digital Audio Recorders

Types of Audio Media

Radio

Podcasts

Music Recording

Alternative Audio

Conclusion

Putting It Into Practice

Observing and Writing

Doing

Chapter 7 Sound and Image

A + B = C

Elements of Sound Design

Sound/Image Combinations

Sound Recording for Different Media

Film Sound

Digital Video Sound

Audio- and Computer-Based Media

Conclusion

Putting It Into Practice

Observing and Writing

Doing

Chapter 8 Approaches to Production

Determining Your Approach

Production Team

Studio Versus Location

Single Versus Multiple Sources

Single Source

Multiple Sources

A Different Look

Linear or Interactive

The Production Team

One Size does Not Fit All

One-Person Crew

Small Crew

Industrial Model

The Role of Collaboration

Small Group Collaboration

Conclusion

Putting It Into Practice

Observing and Doing

Writing

Chapter 9 Making It Happen

The Preproduction Process

Sources of Financing

Out of Pocket

Crowdfunding

Equity

Presales

Grants

Deferred Payments

In-Kind Contributions

Product Placement

Tax Incentives

Budget

Budgeting

Personnel

Legal Considerations

Copyright

Intellectual Property in the Digital Age

Insurance and Permissions

Talent Releases

Location Releases

Equipment Planning

Production Safety

Talk it Through

Safety on the Set

Cables

Light and Light Stands

Weapons and Fire

Stunts

Background Flats

Ladders

Traffic

Electricity

Be Smart

On Set

Good Preparation Gives the Freedom to Improvise

Conclusion

Putting It Into Practice

Writing and Doing

Chapter 10 The Theory of Linear Structure

Putting the Story Together

Creating Pacing and Rhythm on the Screen

Issues of Structure in Preproduction

Approaches to Structuring Motion Pictures

Continuity Style

Action

Shot Size Sequencing

Eyeline Match

Props, Costumes, Hair, and Makeup

Lighting and Sound

Screen Direction

Maintaining Continuity in Production

Montage

Verbally Driven Structure

Breaking the Rules

Applications of Structure

Multicamera Video

Observational Documentaries

Audio Continuity

Uses of Montage

Montage within Narrative and Documentary

Verbally Driven Structure: A Staple of Documentary

Conclusion

Putting It Into Practice

Observing

Writing and Doing

Chapter 11 The Practice of Linear Structure

Sound and Image Transitions

Live Editing

Postproduction Editing

Preparation is Key

Linear and Nonlinear Distinctions

Stages of Editing

Analog Nonlinear Editing

Film

Digital Nonlinear Editing

The Digital Editing Process

Compression Revisited

The Process

Ingesting

Logging

File Management

Storage

Sequencing

Mixdown

Color Grading and Effects

Output

Issues of Convergence and Compatibility

Film to Video

Digital Intermediates

Conclusion

Putting It Into Practice

Doing

Chapter 12 Nonlinear Structure

Understanding Nonlinearity

Random Access

Interactivity

Nonlinear Design

Interactive Media

Types of Interactive Media

The Web

Databases

User-Generated Content

The Process of Making Interactive Media

Technical Concerns and Accessibility

Software Applications

Image Creation

Image Manipulation

Audio and Video Editing

Motion Graphics and Animation

Putting the Pieces Together

HTML

CSS

JavaScript

Web Builders

Conclusion

Putting It Into Practice

Writing

Doing

Chapter 13 Exhibition and Distribution

Changing Media Forms

Still Images

Film

Digital Video

Audio

Getting the Work to an Audience

Film Festivals

The Future

Making Media Professionally

Conclusion

Putting It Into Practice

Doing

Index

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