The History of Art A Global View vol 1 Prehistory to 1500 1st Edition by Jean Robertson, Deborah S Hutton ISBN 9780500293553 0500293554

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ISBN 10: 0500293554
ISBN 13: 9780500293553
Author: Jean Robertson, Deborah S Hutton

The History of Art A Global View vol 1 Prehistory to 1500 1st Edition Table of contents:

Part 1: The Earliest Art

Chapter 1: The Beginnings of Art: 65,000–3200 BCE

What Is an Image? Thinking about Cave Paintings

Art Historical Thinking • Timescales

Figurines: Human, Animal, and Hybrid

Megalithic Structures

Early Settled Communities

Discussion Questions

Further Reading

Chronology

Chapter 2: Art of Early Africa: 8000 BCE–1000 CE

The Highlands of the Sahara, c. 8000–c. 2000 BCE

The Mountains of Southern Africa, c. 2000 BCE–1880 CE

Ancient Nubia and the Nile Valley, c. 2500 BCE–350 CE

West Africa and the Niger River, c. 1000 BCE–1000 CE

Making It Real • Lost-Wax Casting Techniques for Copper Alloys

Discussion Questions

Further Reading

Chronology

Chapter 3: Art of Mesopotamia and West Asia: 5000–2000 BCE

Regional Cultures in Early Mesopotamia

Urbanization in the Uruk Period, c. 3800–3100 BCE

Making It Real • Writing in Mesopotamia

The Early Dynastic Period, 2950–2350 BCE

The Akkadian Empire, 2334–2193 BCE

Caring for the Cattle Pen and the Sheepfold, c. 2200–2000 BCE

Discussion Questions

Further Reading

Chronology

Chapter 4: Egyptian Art from the Predynastic Nile Valley through the Old Kingdom: 4000–2000 BCE

The Predynastic Nile Valley, before c. 3000 BCE

The Early Dynastic Period, 3000–2686 BCE

The Old Kingdom, c. 2686–2160 BCE

Art Historical Thinking • Ka Statues

Private Tombs in Old Kingdom Egypt

Discussion Questions

Further Reading

Chronology

Seeing Connections: The Art of Trade and Diplomacy in the Bronze Age

Chapter 5: Art of West Asian Empires: 2000–330 BCE

Kingship and Justice in Babylon and Mari, 2000–1660 BCE

Trade and Diplomacy in the Late Bronze Age, 1600–1200 BCE

Iron Age: Syro-Hittite States, Neo-Assyrian Empire, and Neo-Babylonian Empire, 1200–539 BCE

Looking More Closely • Babylonian Map of the World

The Achaemenid Empire, 550–330 BCE

Discussion Questions

Further Reading

Chronology

Chapter 6: Egyptian Art from the Middle Kingdom through the Late Period: 2000–525 BCE

The Middle Kingdom, 2055–1650 BCE

The New Kingdom, 1550–1069 BCE

Art Historical Thinking • Obelisks, Mobility, and Meaning

The Third Intermediate Period and the Late Period, 1069–525 BCE

Discussion Questions

Further Reading

Chronology

Seeing Connections: Ancient Writing Systems

Chapter 7: Early Art from South Asia, Southeast Asia, and Oceania: 2600 BCE–300 CE

Early South Asian Art: The Indus Period, c. 2600–1900 BCE

Looking More Closely • The Proto-Shiva Seal

Early Southeast Asian Art: The Bronze and Iron Ages, c. 1500 BCE–300 CE

Early Oceanic Art: The New Guinea Prehistoric Stone Sculpture, c. 6000–1000 BCE, and Lapita Traditions, c. 1500–300 BCE

Discussion Questions

Further Reading

Chronology

Chapter 8: Art of Early East Asia: 4000–200 BCE

Ceramics and Jades in East Asia, c. 4000–c. 400 BCE

Shang Culture, c. 1500–c. 1050 BCE

Making It Real • Piece-Mold Bronze Casting

Bronzes from Regions outside the Shang Center, c. 1300–c. 1050 BCE

Variation and Variety in Later Bronzes, c. 1050–256 BCE

Conquest and the Terra-cotta Army of the First Emperor of Qin

Discussion Questions

Further Reading

Chronology

Chapter 9: Cycladic and Minoan Art: 3000–1200 BCE

The Cyclades in the Early Bronze Age, c. 3000–2000 BCE

Art Historical Thinking • Forgeries and the Art Market

Crete in the Bronze Age: Myth and Reality, c. 3000–1180 BCE

Minoan Influence beyond Crete

Discussion Questions

Further Reading

Chronology

Chapter 10: Mycenaean and Iron Age Greek Art: 1700–600 BCE

Mycenaean Art, c. 1700–1180 BCE

Early Iron Age/Protogeometric Art, c. 1100–900 BCE

Art Historical Thinking • The Griffin Warrior of Pylos

Geometric Art, c. 900–700 BCE

Protoarchaic Art, c. 700–600 BCE

Discussion Questions

Further Reading

Chronology

Chapter 11: Art of Early South America: before 600 CE

The Earliest Americans

Chavín, 900–200 BCE: A Widely Shared Andean Religious Tradition

Paracas Weaving, c. 200 BCE–200 CE

The Nasca Culture, c. 200 BCE–500 CE

Making It Real • Andean Weaving

The Moche Culture, c. 150–700 CE

The Tiwanaku Culture, c. 200–500 CE

Discussion Questions

Further Reading

Chronology

Part 2: Early Cities and Empires

Chapter 12: Art of Early Mesoamerica: before 600 CE

Olmec Sculpture, 1200–400 BCE

Olmec Cities: La Venta, c. 900–400 BCE

Art Historical Thinking • The Place of Maize in Mesoamerican Culture

Regional Developments and the Early Maya in Mesoamerica, c. 400 BCE–150 CE

Teotihuacan: An Early American Metropolis, c. 150–650 CE

Discussion Questions

Further Reading

Chronology

Seeing Connections: Stolen Things: Looting and Repatriation of Ancient Objects

Chapter 13: Archaic and Early Classical Greek Art: 600–460 BCE

Archaic Art, c. 600–480 BCE

Looking More Closely • The Greek Orders

Early Classical Art, c. 480–460 BCE

Discussion Questions

Further Reading

Chronology

Chapter 14: Art of Classical Greece: 450–400 BCE

Perikles and the Athenian Akropolis

Art Historical Thinking • The Parthenon Marbles and Cultural Heritage

Polykleitos of Argos and His Kanon

Classical Bronzes

Women in Classical Art and Ritual

Athenian Red-Figure Pottery

Discussion Questions

Further Reading

Chronology

Chapter 15: Late Classical Greek and Hellenistic Art: 400–31 BCE

The Late Classical Period, c. 400–323 BCE

The Hellenistic Period, 323–31 BCE

Looking More Closely • Indo-Greek Art

Discussion Questions

Further Reading

Chronology

Seeing Connections: Early Global Networks: The Silk Road

Chapter 16: The Development of Buddhist and Hindu Art in South Asia and Southeast Asia: 250 BCE–800 CE

The Emergence of Buddhist Art in South Asia

Images of the Buddha

Art of the Gupta Era, 320–550 CE

Looking More Closely • Hindu Narrative Art

Cave Architecture in South Asia, from c. 100 BCE

Early Buddhist and Hindu Art in Southeast Asia

Discussion Questions

Further Reading

Chronology

Chapter 17: Villanovan and Etruscan Art: 900–270 BCE

Villanovan Society, c. 900–720 BCE

Etruscan Art of the Protoarchaic Period, c. 720–575 BCE

Etruscan Art of the Archaic Period, c. 575–480 BCE

Etruscan Art of the Classical Period, c. 480–300 BCE

Making It Real • Etruria, Rome, and the Roman Arch

Etruscan Art under Rome

Discussion Questions

Further Reading

Chronology

Chapter 18: Art of the Roman Republic: 509–27 BCE

Roman Religion and the Eclecticism of the Roman Temple

Pompeii and the Roman City

The Roman House

Portraiture of the Republic

Art Historical Thinking • The Barberini Togatus and the Historiography of Roman Art

Discussion Questions

Further Reading

Chronology

Chapter 19: Art of the Roman Empire from Augustus through the Julio-Claudians: 27 BCE–68 CE

The Imperial Ideology of Augustus

Looking More Closely • Gardenscape from the Villa of Livia at Prima Porta

Restraint and Excess during the Julio-Claudian Dynasty

Discussion Questions

Further Reading

Chronology

Chapter 20: Art of the Roman Empire from the Flavians through the Good Emperors: 69–192 CE

The Flavian Dynasty

Making It Real • Roman Concrete

The Nerva-Antonine Dynasty: The Roman Empire under the Good Emperors

Discussion Questions

Further Reading

Chronology

Chapter 21: Art of Rising Empires in Japan and China: 400 BCE–581 CE

Art and Culture of the Yayoi and Kofun Periods in Japan, c. 400 BCE–538 CE

Diverse Worldviews during the Han Dynasty in China, 206 BCE–220 CE

Period of Division: Elite Art in South China, 220–581 CE

Looking More Closely • Writing as Art

Period of Division: Buddhist Art in North China, 220–581 CE

Discussion Questions

Further Reading

Chronology

Seeing Connections: The Cultural Power of Gold across the World

Chapter 22: Art of the Late Roman Empire: 193–337 CE

The Severan Dynasty, 193–235

The Soldier Emperors and Imperial Portraiture in a Period of Disunity, 235–284

Diocletian and the Tetrarchy, 284–305

Constantine and the Reunification of the Roman Empire, 312–337

Art Historical Thinking • Rome’s Legacy in American Political Art and Symbolism

Discussion Questions

Further Reading

Chronology

Chapter 23: Jewish and Christian Art in Late Antiquity: 150–500 CE

Art and Religious Plurality in Late Antiquity

Developing a Christian Iconography

Art Historical Thinking • On the Initial Absence of Christian Imagery

Early Christian Architecture

Ravenna and the Fall of the Western Roman Empire in 493 CE

Discussion Questions

Further Reading

Chronology

Part 3: The Spread of Religions

Chapter 24: The Development of Islamic Art in North Africa, West Asia, and Central Asia: 600–1000

The Beginnings of the Islamic Faith

Monumental Art of the Umayyad Dynasty, 661–750

Artistic Innovations of the Early Abbasid Dynasty, 750–1000

Going to the Source • An Account of Abbasid Palaces

Calligraphy and the Qur’an

Art Historical Thinking • Defining Islamic Art

Discussion Questions

Further Reading

Chronology

Chapter 25: Art of African Kingdoms and Empires: 300–1500

Aksum and the Highlands of Ethiopia, 300–1500

Southern African Kingdoms and the Swahili Coast, 1000–1500

Going to the Source • The Rihla of Ibn Battuta

Empires of the Upper Niger and the Sahel, 500–1500

The Yoruba Kingdom of Ile-Ife, 800–1400

Discussion Questions

Further Reading

Chronology

Chapter 26: Monumental Art in South Asia and Southeast Asia: 700–1400

Monuments with Multiple Meanings: Mamallapuram and Borobudur

North and South Indian Hindu Temples

Angkor Wat and Khmer Art

Early Islamic Architecture in South Asia: The Qutb Complex

Art Historical Thinking • Shifting Our Gaze from Monuments to Material Culture

Discussion Questions

Further Reading

Chronology

Chapter 27: The Dissemination of Buddhism and East Asian Art: 500–1200

Early Buddhist Art in Korea and Japan

The Tang Dynasty (618–906) and Buddhist Art in China

Art Historical Thinking • Influence, Appropriation, or Adaptation?

Buddhist Art and Themes in Japan’s Nara (710–94) and Heian (794–1185) Periods

Discussion Questions

Further Reading

Chronology

Seeing Connections: Art and Ritual

Chapter 28: Art of the Byzantine Empire: 540–1450

Justinian’s Constantinople, 527–565

Icons, Iconoclasm, and the Presence of the Divine in Early Byzantine Art, 565–843

Going to the Source • The Icon Debate

Art of the Middle Byzantine Period, 843–1204

Late Byzantine Art, 1204–1453

Discussion Questions

Further Reading

Chronology

Chapter 29: Art of Early Medieval Europe: 600–1250

Insular Imagery, c. 600–1000

Charlemagne and Carolingian Culture, c. 800–900

Bishop Bernward and Ottonian Art, c. 900–1050

Early Medieval Art and Architecture in Scandinavia, c. 1100–1250

Making It Real • The Golden Madonna of Essen

Discussion Questions

Further Reading

Chronology

Chapter 30: Art of the Americas: 600–1300

Maya Art and Architecture in the Late Classic Period, 600–900

Art Historical Thinking • Archaeological Reconstructions

Changes in Mesoamerica, c. 900

Regional Developments in Mesoamerica and Central America, 600–1300

Wari Art in the Andes, 600–1000

Art in North America, 600–1300

Discussion Questions

Further Reading

Chronology

Chapter 31: Art during the Song and Yuan Dynasties of China: 960–1368

Art of the Southern Tang Kingdom, 937–975

Art during the Northern Song Dynasty, 960–1127

Going to the Source • Guo Xi’s Writing on Landscape

Art at the Southern Song Court, 1127–1279

Art during the Yuan Dynasty, 1279–1368

Buddhist Art during the Song and Yuan Dynasties, 960–1368

Discussion Questions

Further Reading

Chronology

Seeing Connections: Pax Mongolica

Chapter 32: Transformative Eras and Art in Korea and Japan: 1200–1600

Buddhism and Art of Goryeo Korea, 918–1392

Confucianism and Art of Early Joseon Korea, 1392–1592

Civil War and Art of Kamakura Period Japan, 1185–1333

Zen Buddhism and Art in Kamakura (1185–1333) and Muromachi (1392–1573) Japan

Hideyoshi, Warlord and Patron in Momoyama Period Japan, 1573–1615

Looking More Closely • Namban Byōbu

Discussion Questions

Further Reading

Chronology

Chapter 33: The Regionalization of Islamic Art in North Africa, West Asia, and Central Asia: 1000–1400

Architectural Advances under the Later Abbasids and their Successor States, c. 900–1250

Luxury Art under the Later Abbasids and their Successor States, c. 1000–1250

Art under the Ilkhanids, c. 1250–1350

Making It Real • Pile-Carpet Construction

Art under the Mamluks, c. 1250–1400

Discussion Questions

Further Reading

Chronology

Seeing Connections: The Art of Writing

Chapter 34: Art of the Mediterranean World: 500–1500

Early Medieval Iberia, 500–1000

Iberia and North Africa, 1000–1230

Norman Sicily, 1090–1230

Iberia and the Crusades, 1230–1500

Going to the Source • Inscription from the Lindaraja Mirador of the Alhambra

Discussion Questions

Further Reading

Chronology

Chapter 35: Romanesque Art and Architecture in Europe: 1000–1200

Monastic Competition and Reform, c. 1000–1150

The Way of St. James and Pilgrimage Churches, c. 1000–1150

The Norman Conquest of England, c. 1050–1200

Imperial Ambitions in Germanic Lands, c. 1050–1200

Going to the Source • Debating the Value of Art

Discussion Questions

Further Reading

Chronology

Chapter 36: Gothic Art and Architecture in Europe: 1200–1400

French Gothic Architecture, 1140–1260

Making It Real • Rib Vaults and Pointed Arches

Louis IX and the Courtly Style, 1240–1350

English Gothic Architecture, 1200–1400

Late Medieval Germany and Bohemia, 1200–1400

Discussion Questions

Further Reading

Chronology

Chapter 37: Art of the Late Middle Ages in Italy: 1200–1400

Seeking the Common Good

Piety, Politics, and the Maniera Greca

Proximity to the Divine

Making It Real • Fresco

Discussion Questions

Further Reading

Chronology

Glossary

Sources of Quotations

Bibliography

Sources of Illustrations

Index

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Tags: Jean Robertson, Deborah S Hutton, Art, Global View, History