Virtual Presenting: A Guide to Formats, Production and Authentic Delivery 1st Edition by Jamie Cohen 9781000859928 1000859924

Virtual Presenting: A Guide to Formats, Production and Authentic Delivery 1st Edition Jamie Cohen – Ebook Instant Download/Delivery ISBN(s): 9781032271859,103227185X, 9781000859928, 1000859924

Product details:

• ISBN 10: 1000859924
• ISBN 13: 9781000859928
• Author: Jamie Cohen

Virtual Presenting
A Guide to Formats, Production and Authentic Delivery

Table contents:

1 Introduction
The Shift to Virtual
The Many Modes of Remote Media Production
What We Learned from Going Virtual
Why We Wrote This Book
What’s in the Book?
How to Use This Book
2 Presentation Basics
Building Your Skills Is Like Architecture
Presentation Skills in Virtual Production
Media Training Meets Non-Traditional
Conversational Delivery
Presentation Skills 101
Imagine This
The Four Ps of Presentation Skills
Pitch
Pace
Posture
Passion
The 30% Energy Principle
Check in with Yourself
Always On
Reading the Room
Imagine This
Using the Space
On Stage
In a Small Room
On Camera
Interviews
Coming Out of the Gate Strong
Imagine This
Don’t Save the Best for Last
Let the Host Do the Work
Appearing on Camera for the First Time
Plugging
Resting Position
Eye Contact
Handling Surprises
Keep the Glass Half-Full
Imagine This
The Green Room and Being Green
Positivity Matters
The Temporary Narcissist
The Basics, in Sum
Notes
3 What Is Authentic Delivery?
Authentic Virtual Presenting
Brief History of Authenticity Theory
What We Can Learn from Erving Goffman
What Does It Mean to Manage Our Impression?
Technology and Mass Media
Radio and the New Presenters
From the Television Tube to YouTube
The Power to the People
The Shift to Internet Video
Authenticity Matters
Screen Authenticity
Being an Authentic New Media Personality
Takeaways from Tyler Oakley
What We Can Learn from Influencers
The Beginning of Social Video
The Authenticity of Live and Vertical Video
Authentic Expertise Delivered Digitally
What TikTok and Vertical Video Can Teach Us
Think About Who You Are Talking To
Make Your Presentation Feel Different
Make Your Audience Comfortable
The Collective Shift to Remote Production
The Business of Remote Media Production
Overcoming the Fear of Presenting
Being Believable Means Being Imperfect
Remotely Authentic
Dress for Authenticity
The Authentic Setting
The Background Authentic
Books and Bookshelves
Plants and Flowers
Artwork and Photos
Adding Spice to the Production
Intentional Pauses
Audio and Care
Moving Around and Standing Desks
Writing and Responding
The Virtual Teleprompter
Authenticity in Sum
Notes
4 Multi-Platform Preparation and Pre-Production
Television Magic
Television Is Dead, Long Live Television
Remote Production: The Third “Location”
Breaking Down Production Flow
Present
Capture
Encoding
Amplify
Decoding
Why Do We Say “Taped” or “Filmed”?
Frame Rate
Positions within a Live Production Flow
Producers
Executive Producer
Senior Producer/Producer/Associate Producer/Production Assistant
Production Manager/Production Coordinator
The Creative Team
Directors
The Technical Team
Engineering
Platforms
Broadcasting
Multidirectional (Cloud-Based Video)
Video Conferencing—Bidirectional
Video Content Networks—One-Way or One-to-Some
Webinar—One-Way with Bidirectional Functionality
Producing Quality Media
Components of a Good Video Shot
Remote Production Scenarios
Basic Remote Production
Supplemented Remote Production
Store and Forward Remote Production
Remote Production Kits
Quicklink
Sorrentino Media Remote Production Kit
Hayden5 Drop Kit
Hybrid Remote Production
Some Things to Consider When Choosing the Right Remote Approach
Content
Connectivity
Lighting
The Presenter
Remote Education and Unique Approaches
Interactive Courses
Prioritize Audio First
Camera on a Rolling Tripod
Optimizing Zoom to Layer Up the Experience
The Mobile Laptop Stand
Selfie Stick Teaching
POV Arts
Multicamera Switching
Virtual White Boards
Accessibility
Watch Parties
Be Creative
Notes
5 Virtual Events, Webinars, Livestreams, and Calls
The Production of Remote Media and Virtual Presenting
Registration, Attendance, and Leads
Registration and Data
Exporting and Importing Your Registration Data
Key Opinion Leaders and Keynote Speakers
Moderating Q&A and Content Moderation
The Importance of Time
Production on the Medium Scale
Recorded Interviews
Methods of Remote Recording
Local Record
Store and Forward
Cloud Record
Off-Site Record
Cellular Bonding
Livestreams
In the Control Room
Input: Feeds
Wired Local Feeds
Cloud-Based Remote Feeds
Adding Layers to Your Livestream
Live Chat
Q&a
Moderated Chat and Q&A
Real-Time Polls
The Call in and Live Hit
The Big Stuff—Webinars and Virtual Events
Your Setup
Webinars and Workshops
The Story of Webinars
Live Webinars
The Live Production
Zoom Webinars—Some Techniques
Hosts
Screen Sharing
Zoom Webinar Options
Panelists and Attendees
Registration
Branding
Polls, Q&A, and Surveys
More
Audience Information
Directing the Show
StreamYard
Vimeo Pro
Social Media Livestreams—Facebook and LinkedIn
Facebook
LinkedIn Live
Simulive
Simulive Using PowerPoint
Programming Your Simulive
Creative Uses of Existing Technology
Remote Kits
Hybrid Remote Using RTMP
Mixing Multiple Video Conferencing Platforms and Recording ISOs
Simultaneous Streams
Virtual Events and Summits
The Virtual Event Basics—Planning
The Show
What Makes Virtual Events Unique?
The Virtual Event—In Parts
The Platform
Preparation
Virtual Event Site Set Up
Navigation
The Main Show
Concurrent Sessions and Breakout Rooms
Poster Sessions, Sponsor Spaces, and Booths
Networking Spaces
Gamification
Data Collection
Certificates
Surveys and Polls
Compliance and Accessibility
Post-Production, Long-Term Hosting and On-Demand
Warnings to the Wise—Some Important Safety Practices
Getting Good at Putting on a Virtual Show
Notes
6 Voices from the Field
Ashesh Satvedi, Director of Video Marketing & Virtual Experiences at Box
In Your Opinion, What Are the Biggest Issues Facing Remote Media Production?
What Is Unique about Your Workflow, Approach, or Remote Production Methods?
Can You Give an Example of a Moment or Project Where You Were Stuck or Had a Major Issue Related to Remote Production? What Happened and How Did You Resolve It?
What Are Some Common Mistakes That On-Camera Presenters Make during Virtual Events?
What Do You Consider to Be the Best Advice/Leadership You have Provided to On-Camera Talent?
Jeff Miner, Global Business Lead at Google’s Creative Works
What Is Unique about the Work You Have Done in a Remote Production Environment?
How Do You Prep and How Do You Prep Your Fellow On-Camera Presenters?
What Mistakes Did You Make Early on That You’ve Learned From?
Liana Jabs, Digital Project Manager and Digital Producer, Genetic Engineering and Biotechnology News
What’s Unique Story That Changed the Way You Produce?
What Was the One Thing You Wish You Knew before You Did the Project above and How Has That Experience Changed Your Future Productions?
What Went Right? What Went Wrong? What Advice May You Provide to a Reader about How to Better Prepare?
Is Remote Media Production Here to Stay? From Your Specific Experience, What Is the Most Important Thing Future Remote Media Producers Should Know?
Andrea Ranalli, Multimedia Senior Producer and Editor, Founder of InStory
What Is a Unique Story That Changed the Way You Produce? (Translated from Italian)
What Was the One Thing You Wish You Knew before You Did the Project above and How Has That Experience Changed Your Future Productions?
What Went Right? What Went Wrong? What Advice May You Provide to a Reader about How to Better Prepare?
Is Remote Media Production Here to Stay? From Your Specific Experience, What Is the Most Important Thing Future Remote Media Producers Should Know?
Martin Schlesinger, Compliance Analyst at Red Hat
What Is a Unique Story That Changed the Way You Produce?
What Was the One Thing You Wish You Knew before You Did the Project above and How Has That Experience Changed Your Future Productions?
What Went Right? What Went Wrong? What Advice May You Provide to a Reader about How to Better Prepare?
Is Remote Media Production Here to Stay? From Your Specific Experience, What Is the Most Important Thing Future Remote Media Producers Should Know?
Gemma Toner, Founder and CEO of Tone Networks
What Were Some of Your Initial Challenges to Digital Production?
What Are Your Biggest Challenges to Remote Production?
How Did You Adapt to Remote Production?
What Do You See for the Future of Remote Production?
What Advice Do You Have for Remote Producers?
What Advice Do You Give to Remote Presenters That Have Little Experience?
How Do You Prepare Your Remote Presenters?
Dave Shaw, Senior Producer Video and Digital Assets, New York Institute of Technology
What Is a Unique Story That Changed the Way You Produce?
What Was the One Thing You Wish You Knew before You Did the Project above and How Has That Experience Changed Your Future Productions?
What Went Right? What Went Wrong? What Advice May You Provide to a Reader about How to Better Prepare?
Is Remote Media Production here to Stay? From Your Specific Experience, What Is the Most Important Thing Future Remote Media Producers Should Know?
Anastacia Kurylo, CEO, Inform Your Community
What Is a Unique Story That Changed the Way You Produce?
What Was the One Thing You Wish You Knew before You Did the Project above and How Has That Experience Changed Your Future Productions?
What Went Right? What Went Wrong? What Advice May You Provide to a Reader about How to Better Prepare?
Is Remote Media Production Here to Stay? From Your Specific Experience, What Is the Most Important Thing Future Remote Media Producers Should Know?
Robb Montgomery Is an American Mobile Journalism Educator Based in Berlin
What Is a Unique Story That Changed the Way You Produce?
What Was the One Thing You Wish You Knew before You Did the Project above and How Has That Experience Changed Your Future Productions?
What Went Right? What Went Wrong? What Advice May You Provide to a Reader about How to Better Prepare?
Is Remote Media Production Here to Stay? From Your Specific Experience, What Is the Most Impo

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